Tin House Books, July 18, 2017.
Four Stars
Pretend We Are
Lovely explores the lives of the Sobel family in
small town Virginia in the 1980s. The parents, Francie and Tate, are recently
separated and the entire family is still dealing with the aftermath of the
death of their son/brother seven years previous – the boy died under suspicious
circumstances, and Francie carries the blame for his loss.
Francie has always struggled with food, but with her
estranged husband out of the house, her eating disorder has completely taken
over the family. She compulsively weighs each item she eats and records the
calories in a notebook kept in the kitchen. Her daughters, ten-year-old Enid
and thirteen-year-old Vivvy, cannot help but observe their mother’s obsessive
behaviour regarding food, and it affects them both dramatically. In contrast,
their father Tate brings the girls unhealthy snacks such as donuts, sneaking
them into the house behind their mother’s back. Because of both parents, the
girls end up having complicated relationships with food, often confusing nourishment
(or its denial) with love.
We witness the lives of the Sobel family over the
course of one summer vacation, in which the girls are mostly left to their own
devices. Francie is lost in her own world of food obsession, and college
professor Tate has begun an affair with a nineteen-year-old student – likely
transferring his paternal feelings from his estranged daughters to another young
girl. Enid and Vivvy, meanwhile, are on their own – Enid binge eating while
Vivvy starves herself, and both girls experiment with the boy next door.
As Francie spirals out of control, starving herself
and eventually disappearing, the rest of the family is damaged almost beyond
repair. The level of dysfunction at play here is difficult to read, as the
girls are taught to confuse hunger with desire – to fit in, to be loved, to be
forgiven, and much more. The alternating point of view chapters create a strong
narrative in which the painful misunderstandings between family members are
highlighted. All of them are keeping secrets, but each character knows more
about the others than they think. This novel is an intimate, voyeuristic view
of gritty and believable familial dysfunction.
The shifting relationships between the family members
are realistic and their distinct voices are insightful and raw. Although it
took some time, I felt connected to all the characters as they evolved, despite
or even because of their flaws. The story is often depressing, and it was
painful to see the dangerous effects of the parents’ behaviour on their
impressionable children – but even so, the novel is filled with a tenuous sense
of hope that the family can come back together and even thrive. I was very
impressed with Reid’s writing and I would love to read more by this talented
author.
I received this book from Tin House Books and
NetGalley in exchange for an honest review.
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